HEAD’S KORNER: KORN UNLEASH CRUSHING NEW SONG CLIP + HEAD CHATS WITH MUNKY AND JONATHAN

Prospect Park

Brian ‘Head’ Welch, guitarist for Korn and frontman of Love and Death, contributes a popular monthly column called ‘HeAd’s KoRner’ to Loudwire. For his latest edition, Head treats Loudwire and Korn fans to an amazing exclusive: an audio clip of Korn’s new track ‘Love & Meth’ off their upcoming album ‘The Paradigm Shift’ (due Oct. 8), along with a video of Head interviewing his bandmates Munky and Jonathan Davis. Check out a few words from Head, followed by the audio clip and video interview below:

Hello from London, Loudwire family!

The KoRn dudes and I stopped in Germany, Paris and London to do some press on our way to our first gig in Shanghai, China! Most of the press had a chance to listen to a private stream of the new KoRn album and the feedback has been incredible! Everyone is saying it’s the best album since ‘Issues’ or ‘Untouchables,’ which is a huge compliment.

A few months ago, the KoRn camp came up with the plan to release another song around the same time as the ‘Never Never’ single was released. We filmed two videos last week before we flew to Europe — one for the ‘Never Never’ single and the other for a bangin’ song called ‘Love & Meth.’

It’s gonna be a few weeks before the videos are done, so for now, check out the clip below from the ending of ‘Love & Meth,’ along with a fun little interview/chat with me, Munky & Jonathan Davis in London.

Rock on, y’all!

HeAd

Watch Head Interview Munky and Jonathan for Loudwire’s HeAd’s KoRner

Note: Brian ‘Head’ Welch stated in his previous edition of ‘HeAd’s KoRner’ that the next entry would include an interview with Papa Roach’s Jacoby Shaddix. However, with the excitement for Korn’s new album building, he decided to provide Loudwire with the exclusive content above. Stay tuned for Head’s interview with Shaddix in a future edition of HeAd’s KoRner.

Photo Courtesy of XYQ Management

Brian ‘Head’ Welch is a founding member of the multiplatinum band Korn and frontman of Love and Death. He is the New York Times best-selling author of the book ‘Save Me From Myself.’ Brian has won multiple Grammys and MTV Music Awards and is currently active in both Korn and Love and Death, as well as traveling the country speaking. Follow Brian ‘Head’ Welch’s schedule atwww.loveanddeathmusic.com and pick up Love and Death’s debut album, ‘Between Here & Lost,’ at iTunes. Korn’s new album, ‘The Paradigm Shift,’ is due out Oct. 8, 2013, and can be pre-ordered atiTunes.

JOE SATRIANI, ‘UNSTOPPABLE MOMENTUM’ – ALBUM REVIEW

Epic Records

You really can’t say that instrumental rock-guitar music is in fashion right now, but that doesn’t make one bit of difference to Joe Satriani. The guitar maestro’s new album, ‘Unstoppable Momentum,’ proves that good music is timeless, no matter what trends come and go.

After decades of being one of the world’s leading rock instrumentalists, Satriani doesn’t trying to reinvent himself on ‘Unstoppable Momentum.’ Far from it. Instead, he turns in an entire album of what he does best.

Satriani’s strength has always been his sharp musical sense. Even though he has chops to spare, he doesn’t come from the look-at-me-play-fast school of guitar wankery. What sets him apart from so many of his contemporaries is that his playing almost always serves the songs; they’re not just vehicles for his instrumental grandstanding.

On ‘Unstoppable Momentum,’ Satriani plays down the guitar-god heroics. If anything, he’s more of a contemporary composer whose primary instrument just happens to be the electric guitar. The songs showcase a marriage of melody, harmony, tone and phrasing with the understanding that a piece of music requires a viable rhythm/bed track before notes are sprayed in all directions. Some of the album’s best tracks, like ‘Can’t Go Back’ and ‘Three Sheets to the Wind,’ include such infectious melody and harmony lines that they could turn into genuine pop songs with a little nudging. And ‘A Door Into Summer’ and ‘Shine on American Dreamer’ feature such strong riffs that maybe Satriani should have saved them for the nextChickenfoot record.

That’s not to say that shredders will be disappointed. ‘Lies and Truths’ showcases some of the fastest, showiest playing on the record. So does ‘The Weight of the World,’ which is a good thing, since the jaw-dropping licks rescue it from being the weakest track on the album (the goofy synth-pop riff sounds straight outta ‘Beverly Hills Cop’).

But if you think all instrumental rock just amounts to meaningless noodling, you probably won’t get much out of ‘Unstoppable Momentum.’ Still, Satriani delivers on almost every track, showcasing a compositional depth that reveals something new with each listen.

BLACK SABBATH, ’13′ – ALBUM REVIEW

Universal

Here’s the rundown on ’13,’ Ozzy Osbourne‘s first full-length album with Black Sabbath in 35 years: It’s not embarrassing in the least. In fact, it’s pretty darn good and at times it’s great.

It’s unfair to ask, and highly unlikely, that ’13′ will ever achieve any kind of equal footing alongside the group’s masterful six first albums. But it’s definitely cut from the right cloth, and it’s probably the best effort from anybody on either side of this camp since Osbourne’s ‘Diary of a Madman’ (R.I.P.Randy Rhoads!) and his former bandmates’ ‘Mob Rules‘ came out in 1981.

It’s definitely the most mature thing Ozzy’s been a part of in years. His vocal range is diminished, but he uses what he’s got wisely, and it’s great to see him playing songs made for adults instead of trying to get the kids at Hot Topic to ‘Scream‘ along with him. It’s also wonderful to hear him together with guitarist Tony Iommi again — the re-ignition of their chemistry is obvious from the very start of the album.

You miss original drummer Bill Ward‘s swing, sure. Some of the lyrics (such as the pointless paradoxes “Is this the end of the beginning / Or the beginning of the end?” or “I don’t want to live forever / But I don’t want to die”) are groan-worthy. But the participating original members sound fantastic together. Thankfully, the record is not over-produced — it sounds like three guys playing together in the same room, especially when Geezer Butler’s bass gloriously rumbles just a bit outside of the expected lines.

Naturally, the album’s highlights find the band quite nakedly revisiting some of the peaks of their past. The riff from ‘N.I.B.’ gets a re-write for the storming ‘Loner,’ but good luck staying mad about it for more than about a minute. Similarly, the gorgeous ‘Zeitgest’ harkens back to ‘Planet Caravan’ right down to the hand drums, processed vocals and spanish guitar accents — and again, you won’t care.

Black Sabbath really go back to their beginnings with the heavy blues of ‘Damaged Soul,’ an eight-minute long harmonica-accented monster which is one Hammond organ short of being among the nastiest Allman Brothers Band songs ever written.

’13′ ends with the same church bells heard at the start of Sabbath’s self-titled 1970 debut, and this would indeed be a fine ending to their recording career if that’s what the group intends. But Iommi proves — as he did on 2009′s Ronnie James Dio-fronted ‘The Devil You Know‘ — that he’s still got plenty of riffs left, so if everybody’s still getting along here’s hoping we get ’14′ or whatever it’s called sooner rather than later.

10 BEST THRASH METAL BANDS OF ALL TIME

Daniel Boczarski / Kevin Winter (2), Getty Images

For all intents and purposes, thrash metal is celebrating its 30th anniversary in 2013. Yes, as nebulous as rock ‘n’ roll history can be when it comes to dating broad-ranging musical developments, we can confidently point to 1983 as the year when sporadic ‘speed metal’ displays coalesced into the true definition of thrash metal. Until then, one had to sift through piles of 1970s metal to find occasional turbo-charged tunes like Black Sabbath‘s ‘Paranoid,’ Queen‘s ‘Stone Cold Crazy,’ or Judas Priest‘s ‘Exciter.’ And whileMotorhead‘s momentous arrival at decade’s end coincided with that of numerous, more consistently energetic New Wave of British Heavy Metal bands (Raven, Venom, etc.), it wasn’t until an entirely new generation of upstarts took those lessons (plus those of punk rock) to another level that bona fide thrash was born.

While bands such as the mighty Pantera and Sepultura have dabbled in thrash, this list features bands who have carried the thrash flag throughout their careers. Three decades on, the seminal works of the 10 acts listed below continue to inspire mosh pits and influence all kinds of loud rock bands with the simple instruction to “bang that head that doesn’t bang!”

So, check out our list of the 10 Best Thrash Metal Bands, and be sure to enter the contest below for a chance to win a copy of the Bazillion Points book ‘Murder in the Front Row,’ which chronicles the Bay Area thrash scene.

Atlantic/Megaforce

10

Overkill

 

 

Our journey begins in New Jersey with one of thrash’s most prolific and persistent champions, Overkill. Evolving from a punk band after discovering metal and plucking their name from Motorhead’s landmark second album, the band led by vocalist Bobby ‘Blitz’ Ellsworth and bassist D.D. Verni quickly found their calling in rough and fancy free thrash and has rarely seen much reason to deviate from this course ever since. Now celebrating over three decades of existence, with 16 studio albums under their bullet belts, Overkill have proven that nothing short of the grim reaper or an atom bomb has any hope of stopping them, and that’s good news for dyed-in-the-wool thrash metal veterans everywhere.

Listen to Overkill

 

 

Music for Nations

9

Exciter

 

 

Canada's Exciter (who, not by chance, named themselves after the aforementioned Judas Priest song) were actually one of the earliest thrash metal champions, having delivered their first album, 'Heavy Metal Maniac,' in 1983 and then achieving achieving maximum power and ludicrous speed on 1985's furious 'Long Live the Loud.' Though quite popular abroad – where bands with singing drummers could still attract fans based on the quality of their music, not good looks required by MTV – Exciter, too, never achieved their just desserts in America. But they toured extensively to great acclaim across the globe (they were arguably the first thrash band to play South America) and their first four albums remain necessary building blocks in the collection of any self-respecting thrash fanatic.

Listen to Exciter

 

 

Restless/Enigma

8

Death Angel

 

 

Nowadays, musically inclined teenagers from the same family are usually to be found performing in boy bands, but not so with Death Angel, whose barely legal brothers and cousins (drummer Andy Galeon was 12 when he joined the band!!!) chose to dive headlong into their native San Francisco Bay Area thrash scene. What's more, Death Angel contradicted their own youth with the stunning display of technical thrash found on 1987’s, 'The Ultra-Violence,' and then continued to challenge themselves – and their fans – with two more, increasingly mature long players harnessing that precocious musicianship into ever more appealing song structures. Tragically, the band’s career would quite literally screech to a halt following a horrific tour bus crash that left several band and crew members severely injured, but a new millennium reunion has thankfully gone a long way toward vindicating and rewarding Death Angel’s talents.

Listen to Death Angel

 

 

Noise

7

Kreator

 

 

Outside of the U.S., no country contributed more elite bands to thrash metal’s cause than Germany: home to literally hundreds of mosh pit instigators, if you take early speed/power metal contributors like Helloween and Grave Digger into account, along with the acknowledged “big three” of Teutonic thrash: Sodom, Destruction and the inimitable Kreator. Led by vocalist/guitarist Mille Petrozza, the latter packed the 1980s with album after album (among them, the essential ‘Pleasure to Kill and ‘Extreme Aggression’) boasting some of the era’s most brutal (yet still technical) thrash, paving the way to death metal and other extreme genres still to come. And though they too got off point and experimented with numerous other influences throughout the 1990s, Kreator too returned to form with a string of decapitating new millennium efforts, thus making them a natural selection for our list of the Top 10 Thrash Metal Bands.

Listen to Kreator

 

 

Megaforce/Atlantic

6

Testament

 

 

One of the original Bay Area thrash bands, initially known as Legacy, Testament briefly faltered when lead vocalist Steve ‘Zetro’ Souza defected to Exodus; but they soon made up for lost time after enlisting leather-lunged man-mountain Chuck Billy to sing (and growl) on their spectacular 1987 debut, ‘The Legacy.’ Simply put, no band had a better chance to challenge Metallica for its thrash crown as Testament, thanks to their uncommon blend of melodic sensibility and controlled savagery; but their late arrival on the scene became a liability once thrash (and every other variety of heavy metal, come to think of it) was buried under the Grunge avalanche after 1991. Luckily, Testament, too, have battled back from adversity (including Billy’s successful fight with cancer) to deliver a few new millennium thrash gems and revive their reputation as one of the most fearsome live bands the style has ever produced.

Listen to Testament

 

 

Combat

5

Exodus

 

 

Had this list of the Top 10 Thrash Metal bands been motivated by pure, consistent devotion to the form, instead of a complex combination of sound, success and other intangibles comprehensible only to idiot rock critics, then Exodus may have well come out top of the heap, rather than just outside the final four. The original kings of the Bay Area thrash scene, having helped define both the style's musical aesthetic and D.I.Y. mentality from day one, Exodus sadly stumbled off the starting blocks when they lost guitarist Kirk Hammett to Metallica, then tarried too long before securing a record label for their indispensable debut, 'Bonded by Blood,’ in '85. However, while their uncompromising sound and uneven output in the coming decades kept world domination and platinum success ever at bay, you'd be hard passed to finger any other band, short of Slayer, perhaps, that’s flown the thrash flag as proudly and unwaveringly as Exodus.

Listen to Exodus

 

 

Megaforce

4

Anthrax

 

 

Apologies for being so predictable, but the so-called "Big Four" (i.e. platinum-selling) inevitably hog the final stretch of our list – you can see the box office for your refund. In all seriousness, it even pains us to restrict the cerebral New Yorkers in Anthrax to fourth place here, as their first five albums – and the twin monoliths of 'Spreading the Disease' and 'Among the Living,' in particular – built a cornerstone without which thrash metal's house would simply crumble. And arguably no other band on this list contributed more to the thrash vernacular, most notably by popularizing the word MOSH! And yet Anthrax’s reputation eventually became tarnished by a penchant for surf shorts and an ill-advised sense of humor (yes, ridiculous, but true), so that when their ‘90s LPs saw the band moving away from thrash amidst revolving door singers, we were left no choice but to place three California bands on the podium...

Listen to Anthrax

 

 

Capitol

3

Megadeth

 

 

No matter what you think of Dave Mustaine, who can be polarizing at times, he deserves all the credit in the world for taking a negative and turning it into a massive positive. Following his ouster from Metallica, Mustaine deserves immense credit for pulling himself up by his bootstraps and channeling an unquenchable thirst for revenge into a new band,Megadeth, who feature the most extensive catalog among the acts discussed here. Along the way, he has probably provided more controversy and compelling magazine copy than any other thrash artist in history (sorry, Lars), while delivering an uneven, yet still positively daunting body of work (including the monumental ‘Peace Sells…But Who’s Buyng?’ and ‘’Rust in Peace’ LPs), rife with both thought provoking lyrics and mind-warping virtuosity.

Listen to Megadeth

 

 

Metal Blade

2

Slayer

 

 

To those not even curious enough to look beyond the basic ‘big four’ fundamentals, there’s little doubt that Slayer epitomize thrash metal at its undiluted extreme. And why not? No thrash band has done more to inflame mainstream sensibilities, thanks to its alternately satanic and war-obsessed lyrics; and despite a few ill-fated cross-genre dalliances of their own over the years, the L.A.-based quartet did create the quintessential thrash album in 1986’s ‘Reign in Blood,’ still the most lethal 28-minutes of music ever captured on tape. And that’s to take nothing away of the other four albums (and one EP) released during the band’s devastating first decade – all of which set the pace for thrash’s evolutionary curve and achieved a scale of quality and influence second only to…

Listen to Slayer

 

 

Megaforce/Elektra

1

Metallica

 

 

How’d you guess? Yes, for all the uproar from thrash purists over the years about the band's change of direction, at the end of the day there are three major reasons for granting Metallica the No. 1 spot in our list of the Top 10 Thrash Metal Bands: ‘Kill ‘em All,’ ‘Ride the Lightning’ and ‘Master of Puppets.’ The first disc literally lit the thrash metal flame in the summer of ’83; the second broadened its parameters no end and showed thrash could progress and would be no passing fad; and the third decisively consolidated the movement’s mainstream awareness with as impeccable a set of songs as fans have ever seen. So what if Metallica’s fourth platter, ‘…And Justice for All,’ ushered in the band’s more mainstream metal era? With those three, straight essential LPs, Metallica repeatedly set and raised the bar for thrash metal’s global conquest for all of the above to reap rewards of their own.

Listen to Metallica